For more information on the work of Rosa Nguyen:

http://www.nguyen-ceramics.co.uk/

Michael Pinsky: A comprehensive survey of projects from 1998 – 2008. Hard Cover, 17 x 24 cm, 128 pages, full colour. Published by the John Hansard Gallery. Funded by the Wellcome Trust and Arts Council England. Designed by CHK Design. Essays by JJ Charlesworth and Jane Rendell.
Available from the John Hansard Gallery and Cornerhouse. £9.95 + P&P
http://www.michaelpinsky.com/

For more information about the work of Michael Pinksy:
http://www.michaelpinsky.com/

1, Michael Pinksy, Lost O, (2007) Ashford. For more information: http://www.losto.org/
2, Michael Pinksy, Viral Planting, (2006) Panacea, Cornerhouse, Manchester, UK and Centre d’Art Contemporain Le Parvis, Ibos, France. For more information: www.panaceaproject.org

3, Michael Pinksy, Healing Wall, L’Appât, (2006) Residency Mas d’azil, France.
4, Michael Pinksy, Crawl, (2004) Victoria Baths, Manchester, UK and Centre de Création Contemporaine, Tours, France.

For more information:
http://www.southbankcentre.co.uk/visual-arts/hayward-exhibitions/psycho-buildings

‘The Gas Pipe was a site-specific installation in Giardini park, one of the main venues of Venice Biennale. Inspired by the planned NordStream pipeline project, the installation comprises a real scale gas pipe set between the pavilions of Russia and Germany. The purpose of the project is to test the possibilities of critical art and architecture, addressing various issues of contemporary spatial environment, landscape of politics, infrastructure, and energetics.’

For more information about the project:
http://biennaal.arhliit.ee/

To download the publication:
http://biennaal.arhliit.ee/catalogue/

Art Incorporated, curated by Sabine Nielsen, included work by Diller Scofidio + Renfr, Rafael Lozano-Hemmer and projects commissioned by Artangel, Skulptur Projekte Münster, and London’s Fourth Plinth. The catalogue included essays by Jane Rendell and Malcolm Miles.

For more information:

http://www.skitsesamlingen.dk/_da-DK/Presse/Pressemeddelelser/Udstillinger%202008
http://www.skitsesamlingen.dk/_da-DK/Content/Data/test%20billeder/presse%20fotos.pdf

To buy a copy of the monograph:

http://www.galerieperrotin.com/artiste_.php?id_=17&domaine=shop&&nom_=Daniel%20Arsham&dossier=Daniel_Arsham&photo_=Daniel_Arsham_17.jpg

Images:
1, Daniel Arsham, Lobby (2005)
Drywall, Metal studs, Paint / Placo, métal, peinture
34 x 36 x 40 inches / 185 x 112 x 109 cm

2, Daniel Arsham The Return #2 (2005)
Gouache on Mylar, frame / Gouache sur papier calque, encadrement
30 x 40 inches / 86,5 x 112 cm

3, Daniel Arsham, Curtain (2007)
EPS foam, plaster gauze / Polystyrène, plâtre
6.9 feet x 48 3/4 inches x 6 3/4 inches / 207 x 124 x 17 cm

For more of Daniel Arsham’s work see:

http://www.danielarsham.com/index.php
http://www.galerieperrotin.com/artiste-Daniel_Arsham-107.html

In this piece of criticism I do a number of things:

I adopt different positions – in relation to the artists, and the figures, objects and spaces, which feature as the subject matter of their work. I set my own remembered spaces as parallel places, and through imagination I enter the work. I create different relationships with the artists, and the figures in their work, using first, second and third person pronouns, showing that the critic is not ‘outside’ the art, but in some ways already within it, attempting to re-evaluate or rethink what we might called critical judgment or discrimination, and in so doing to create a new kind of practice of art criticism.